Grinding in Obscurity.
The New Yorker profiles Bettye LaVette, a singer/badass who had some minor hits back in the 60s, but who’s experienced a career resurgence after her performance of The Who’s “Love Reign O’er Me” at the Kennedy Center Honors in 2008. The profile is unfortunately behind a paywall, but it paints LaVette as a charismatic, somewhat Read More
